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Author: Catherine Freemon

The New Culture Movement

The New Culture Movement (1917-1921) was a movement in China that criticized conservative, traditional Chinese ideas and sought to advance a more progressive “new culture.” This new culture found its footing in Western ideals like science and democracy and was spearheaded by scholars such as Chen Duxiu, Lu Xun, Hu Shih, Li Dazhao, Chen Hengzhe, Liu Bannong, Cai Yuanpei, He Dong, Zhou Zouren, Qian Xuantong, and Bing Xin. This group, of whom many were classically educated, rebelled against Confucianism and classical values. Its hub was Peking University, where many of the leaders gathered under the leadership of Cai Yuanpei during his time as chancellor.

An important facet was the New Youth magazine, a publication where many of these thinkers were able to speak out through essays, short stories, and other forms of writing. The New Culture Movement espoused liberal ideas like the end of the patriarchal family structure, individualism, the re-examination of the Confucian texts and other ancient writings using modern critical methods (called the Doubting Antiquity School), rights for women, and democratic values.

Further Reading

Goldman, Merle and Leo Ou-fan Lee, eds. An Intellectual History of Modern China. Cambridge: Cambridge University Press, 2002.

Mitter, Rana. A Bitter Revolution: China’s Struggle with the Modern World. Oxford: Oxford University Press, 2004.

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Lu Xun

LU Xun (1881-1936) was a writer, essayist, and poet, and an influential figure in China in the early 1900s. In 1918, Lu published his first short story, “The Diary of a Madman,” a dark and satirical political commentary that forcefully attacks the government and culture of China in the early 1900s. Society was based on Confucianism, which values traditionalism and denigrates Western ideas. Through the story, Lu Xun calls for a more humanistic and individualistic society that eradicates the old values of China. This was one of the first works of vernacular fiction in Chinese history, and it was written for the magazine New Youth, which would become the flagship journal for the May Fourth movement. His most famous work is “The True Story of Ah-Q.” Similar to The Diary of a Madman, this story also criticizes Confucian ideals and urges readers to resist them, albeit not as violently as the former. He was nominated for the Nobel Prize in literature because of this work, and it solidified his writing as a pillar of Chinese literature. 

FURTHER READING

Xun, Lu. The Real Story of Ah-Q and Other Tales of China: The Complete Fiction of Lu Xun. Afterword by Julia Lovell. Translated by Yiyun Li. London: Penguin Books, 2009.

Leo Ou-fan Lee, Voices from the Iron House: A Study of Lu Xun. Bloomington: Indiana University Press, 1987.

Spence, Jonathan. The Gate of Heavenly Peace: The Chinese and Their Revolution 1895-1980. New York: Viking, 1981.

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